Romulus and Rhema Part 2.

Part 1 here:

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The Disobedient SoulKeeper.

This is an odd sort of story and it feels unfinished to me, but I’m still recovering from the workweeks from hell, so this is all I have. It’s a continuation in the theme of Soul Keepers and the Presence, which I’ve written about before. In this one, however, I wanted to explore the downside of an involuntary spiritual awakening.

I wanted the character to struggle with the differences in perception between doing what’s right and doing what appears right. So, this story is a little dark, unforgiving, and unresolved.

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Dogs Of War.

A short I had the idea for a few years ago but that didn’t really come to me until today while I was out for a walk. I think this one might surprise you. Enjoy.

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Dracula’s Puberty. Chuck Wendig’s Image Challenge #4

This one was inspired by Kay Rumson and the pictures of Piscina Mirabile posted here


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Chuck Wendig’s Image Challenge. ‘The Welsh Dragon’.

Wendig’s at it again, and so am I. Here’s the Challenge.  The image I chose to write to is of some Standing Stones in Wales. Jana Denardo supplied the image here: The name of my story is ‘Y Ddraig Goch’ (The Welsh Dragon). Enjoy. Continue reading

The Alchemist.

I wrote this in 1999 with a vague plan in mind. I wanted to create a character so charmingly vicious that he could make you laugh while he was doing the most horrendous things. He began ‘life’ as a wizard but over the years I refined his basic character and have used him as a psychopathic village school teacher and as an evil entity, part dragon and part demon, who acted as a tutor in the teacher’s reign of terror.

I began by wondering what you’d end up with if you took a highly intelligent man (in this case, but a woman could be incredible, too) who knew exactly what he was and delighted in being it. A few years later, Hannibal Lecter burst onto the scene in ‘Silence of the Lambs’, and his steady heartbeat maintained while he was doing the most gruesome things reminded me of this character. Friends weren’t so sure; they said my character was Hannibal on crack.

I had thought that if you invent a character who is so obviously evil, you can significantly cut down on the amount of graphic detail in a story. The reader’s imagination can speak louder and more thoroughly. I thought it was important to make him somehow likeable, and that got a huge reaction from readers. They liked his humour and candidness even though what he was doing with them was awful.

I hope you enjoy this short story and please, remember he’s standing behind you. You’ll know what I mean when you get to the end.

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